New Life Begins (2022)

Behind every great man is a woman rolling her eyes.

New Life Begins is a fun and funny satire that mocks ancient Chinese feudal society. It is set in the fictional kingdom of Xinchuan, which presides over eight other provinces or chuans. Xinchuan is the poster child for every deplorable aspect of the feudal patriarchal society that prevailed over most of China's 5000 years of recorded history. Every three years as tribute, eligible young beauties from the provinces are sent for selection as wives or concubines of the Xinchuan princes. As these poor unsuspecting scions pore gleefully over bride portraits, little do they know that the very foundation of their kingdom and beliefs are about to be rocked to its chauvanist core.

As fate would decree, subversive elements infiltrate that year's bride candidates. These elements are woefully untaught and unteachable in the Rules of Reverent Submission for Women. The kind of marriage envisioned by the Xinchaun royalty could not be further from their minds. The ringleader is Li Wei, a deceptively harmless foodie from Jichuan, an inconsequential province where men and women are equal and monogamous. She finds kindred souls in the scheming Hao Jia, the fierce Shangguan Jing and the savvy and ambitious Yuan Ying. Together, they prevail against the suffocating, often life threatening strictures of the Xinchuan inner palace to carve out an existence with some free will. Their brave and hilarious exploits resonate with the oppressed and fuels a fire across the inner palace and then, the capital. As it turns out, behind every great man in Xinchuan is a woman rolling her eyes. Despite the period setting, the ideals in this drama are very modern. It is a very fantastical utopian depiction of the kind of power women can unleash by simply working together instead of turning on one another.

This is not to say that all ten of the Xinchuan princes are bad fellows even though most of them make exceedingly bad husbands. With some, it is simply a matter of training while others need to be kicked to the furthest corners of the empire. The commercially savvy playboy Prince An who thinks he is the sun that the solar system revolves around when he is really the moon is the caricature that made me laugh hardest. That said, the entire ensemble cast delivers rib-tickling and lively comedic sketches that poke fun at the mundane. In a mostly lighthearted and positive but rather cursory manner, the drama evokes many women's themes. Hua Jia's arc is the darkest and most complex one and sounds a dire warning about disgruntled female employees. The sub-plots are short and even though the villains made my blood boil, they are not that smart or complex. That is because the true villain is the tyranny of the patriarchal feudal system and they are all victims of its shortcomings.

All of the sub-plots unfold around the evolution of the relationship between Li Wei and Yin Zheng, the unfavored sixth prince. Hilarity ensues when this woman who lives to eat finds herself shackled to a man who eats to live! With the help of MVP Butler Su, she attempts to tease out the inner fat dude just waiting to burst out of Yin Zheng. In fact, food is her secret weapon; she worms her way into practically everyone's hearts through their stomachs. Both Bai Jingting and Tian Xiwei have good comedic expression and they are fantastic at seamlessly turning funny moments into heart stopping passionate ones. While theirs is a fun, wholesome story, it is too much of a fairy tale. Neither of them have serious flaws and every cloud has a silver lining. In fact Li Wei's perpetual chirpiness grated on me at times. While Yuan Ying is a fabulous and formidable character and I get that one woman's treasure is another's trash, that entire situation is just too good to be true. I also didn't like how their relationship jumps from courtship to the comfortable rhythm of a long married couple, deferring the best romance part till the end. It breaks the natural momentum of a relationship and distracts audience attention from the other arcs. In truth, this drama is a lot more about sisterhood and women's themes than it is about romance. The production should be more confident that these well written, funny, and touching arcs can engage on their own without dragging out the romance to keep viewers invested.

This is one of the rare times that it is the second couple, Shangguan and Yin Qi that stole my heart. I have a weakness for flawed, colorful and unconventional characters like these. Yin Qi's plight is far worst than Yin Zheng's - he is just as unloved and he is no great talent to boot. In the bride lottery, he finds himself sacrificed to the fierce Shangguan, a princess from the powerful and matrilocal Danchuan. But he has a giant heart to go with his big goofy happy-go-lucky smile that makes the fiery Shangguan forgive him for always saying wrong things. Their clashes and banter made my shoulders quiver with laughter as they humorously navigate true challenges and hardships together. Even though they are not perfect and don't have everything, I somehow get the feeling they couldn't be happier.

Overall this is a gorgeous, lighthearted and highly enjoyable story about women's struggles and sisterhood with some romance thrown in. It lacks depth, is slow in places and is far from a masterpiece but the humour is very well done and has mass appeal. A highly recommended watch that I rate 8.5/10.0.

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Sisterhood. Love. Delicious delicacies

卿卿日常 (New Life Begins) narrates the story the life in Xin Chuan, how different women from nine regions come together and live their life there, also centering around the main couple (the sixth prince of Xin Chuan and a girl from Jin Chuan.)

Helmed by director Zhao Qichen, who also directed My Heroic Husband. You can expect a good laugh from the drama! There are a lot of elements in the drama that is intertwined together flawlessly, such as comedy, feminism, love, friendship, family, and a tad of (child’s play) politics and rivalry. There are so many plot devices and themes that worked together harmoniously, there isn’t any dull moment for me. It is well-paced, the storyline develops at a brisk and engaging pace.

What makes this drama different from other dramas is (at least for now) that the drama avoids going on the mainstream road. There is no rivalry and scheming between women, unlike other historical dramas. The drama has a very heavy element of feminism - how women in this drama showcase their abilities, support, protect, and have each other backs, and more. Other than it, the drama also focuses on what women experience: postpartum depression, domestic violence, marriage, and more. All the women characters in the drama are interesting, well-conceived, and realistically written - each of them comes from different regions with different mindsets and beliefs, thus making their struggles and actions understandable. The colorful and depths of the ensemble characters make the drama even more compelling.

In addition, almost every couple in the drama is very also lovely! Every couple’s romance is developed equally. It is nice to see how each couple grows fond of each other over time and also grow as an individual. Each character possesses their own distinctive qualities that when combined together make the overall development of the story interesting and fun. Each character is also multidimensional, each having its own interesting story arc. You will find yourself immersed and invested in each character’s growth through the experiences they went through. I especially love how Hao Jia (the second prince’s concubine) has an inner monologue whenever the second prince is near him!

New Life Begin’s cinematography is generally adequate. But some of their shots of food are beautiful, which will make you salivate. The color palette of the drama is light and bright-toned with a soft filter and vibrant color palette, which is pleasing to the eyes. Another thing I loved about New Life Begins is their elaborately authentic sets and exquisite costumes. Where each character has their own styling. Lastly, though not seamless, the editing and scene transition is cohesive. There are a lot of scene transitions in between however it’s understandable as the narrative not only narrates the character in a certain period of time but over a long period of time.

The characters of the drama are brought to life by an outstanding cast, who delivers compelling interpretations of their character. Both Bai Jingting and Tian Xiwei did an exceptional job in the drama, embodying the character! Tian Xiwei imbues her character as Li Wei with cuteness, nuance, and also elegance! Though she looks very cute and sweet. But she is not one of those sweet-looking girls that are easily manipulated. She manages to infuse her character with kindness, righteousness, knowledge, and standing by what she believes; which makes her character very interesting. It is unimaginable that anyone else can pull off such a character other than Tian Xiwei.

Bai Jingting also elevated his character with his micro-expressions. As the sixth prince who grows up to be sickly and secluded, he still managed to show us different sides of the character - how he grows throughout the relationship and more. Not only Bai Jinting and Tian Xiwei but each character in the drama were immensely elevated by all the cast’s excellent acting. The depth and richness of each character and their development were commendable. In addition, all the character’s interactions and chemistry are also realistically and convincingly portrayed.

Personally, I think this is a really great drama to watch when you're looking for something light-hearted! This drama is like a serotonin boost!

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